1920s Mens Fashion and Hat Ads

Dec 3, 2020 | 1924 St. Louis Fashion Pageant, Old Magazine Scans

1920s Men’s Fashion and Hat Ads from the 1924 St. Louis Fashion Pageant

This page comes from a 1924 issue of the St. Louis Fashion Pageant, and it’s absolutely packed with menswear goodness. It opens with a full-page advertisement for The Snugset Clothes Company, featuring an illustration of a sharply dressed gentleman in a suit and a generous block of ad copy promising “Men’s clothes that wear as well as they look.”

From there, the theme continues with Lion Hats by Langenberg Hat Co., where the artwork does most of the talking, and a sprawling two-page spread for Bettmann‑KleinHause Clothing Company (located at 1204 Washington Ave.). That spread showcases men’s and boys’ clothing of the time:

  • Men’s suits
  • Men’s overcoats
  • Children’s suits
  • Children’s knee pants
  • Young men’s overcoats
  • Young men’s suits
  • Men’s and young men’s pants
  • And other assorted menswear pieces

If you love early 1920s men’s style, these ads are such a fun little time capsule of what was considered fashionable, respectable, and “modern” in 1924.


The Snugset Clothes Company: “Men’s Clothes That Wear as Well as They Look”

The first thing that grabs your eye on this page is the full-page Snugset Clothes Company ad. Front and center is a well-dressed man in a tailored suit—very much the 1920s ideal of clean, respectable masculinity. The tagline, “Men’s clothes that wear as well as they look,” nicely sums up the decade’s growing focus on ready‑to‑wear quality and durability, not just style.

Historically, by the mid‑1920s, men’s suits were shifting toward:

  • Softer tailoring than the stiff Edwardian styles
  • Narrower lapels and higher waistlines
  • Single- and double-breasted jackets worn with matching trousers
  • A look that felt modern, but still conservative enough for business

The Snugset ad fits right into this moment. The focus on a handsome, practical suit reflects how middle‑class men were embracing mass‑produced clothing instead of exclusively relying on custom tailoring. The long block of text in the ad is very typical of the era—copywriters loved reassuring customers about fabric quality, fit, and value.


Lion Hats by Langenberg Hat Co.: Letting the Illustration Do the Talking

Next up is an ad for Lion Hats by Langenberg Hat Co. Unlike the text‑heavy Snugset page, this one relies more on visual appeal than long paragraphs of copy. The artwork is meant to instantly signal style, quality, and a certain swagger that came with wearing the “right” hat.

In the 1920s, a man was rarely seen outdoors without a hat. Common styles of the decade included:

  • Fedoras and snap‑brim hats for city wear
  • Soft felt hats for a slightly more relaxed, modern look
  • Straw boaters for summer and leisure activities

While the specific details of the illustration belong to the scan itself, Lion Hats as a brand clearly leans into that culture of everyday elegance. The choice to “let the picture do the talking” lines up with a broader advertising trend of the 1920s: visuals were becoming more powerful as print design grew more sophisticated, especially in fashion and lifestyle advertising.


Bettmann‑KleinHause Clothing Company: A Two‑Page Tour of 1920s Menswear

The Bettmann‑KleinHause Clothing Company makes a big statement with its two‑page advertisement spread centered on men’s and boys’ clothing. Located at 1204 Washington Ave., the company positioned itself as a one‑stop shop for:

  • Men’s suits
  • Men’s overcoats
  • Children’s suits
  • Children’s knee pants
  • Young men’s overcoats
  • Young men’s suits
  • Men’s and young men’s pants
  • Plus other menswear essentials

This kind of spread gives a great snapshot of how age and formality were visually coded through clothing in the 1920s:

  • Children’s knee pants and shorter garments were typical for boys, signaling youth and play.
  • Young men’s suits and overcoats bridged the gap between childhood and full adulthood, often echoing adult styles but with a slightly more fashionable or “modern” twist.
  • Full suits and heavy overcoats for men reflected both professional life and the importance of being well‑dressed in public.

Washington Avenue in St. Louis was an important commercial corridor, and ads like this remind us how regional clothing companies actively marketed their wares to retailers and local buyers, competing with larger national brands as ready‑to‑wear fashion grew.


The 1924 St. Louis Fashion Pageant: A Peek Behind the Retail Curtain

These ads come from the 1924 St. Louis Fashion Pageant, which appears to have been more than just a casual style magazine. As noted in a related write‑up, these illustrated fashion advertisements from 1924 seem primarily directed at retailers rather than everyday consumers.

That suggests the Fashion Pageant may have functioned as:

  • trade publication for clothing and department store buyers
  • A way for manufacturers and wholesalers to showcase new lines and seasonal offerings
  • A promotional tool helping stores decide what to stock for the coming season

While the specifics of the Saint Louis Fashion Pageant still need deeper research, the overall feel is very much industry‑oriented—the kind of publication someone in the garment or retail business would study to keep up with trends in men’s and boys’ apparel.


What These Ads Reveal About 1920s Men’s Fashion

Zooming out a bit, this single page (plus that two‑page spread) tells us a lot about men’s fashion in the mid‑1920s:

  1. Emphasis on Quality and Longevity
    • Taglines like “Men’s clothes that wear as well as they look” reflect a push to convince buyers that mass‑produced clothing could be both stylish and durable.
  2. Full Family Dressing from One Brand or Shop
    • Bettmann‑KleinHause advertises clothing for men, young men, and children, showing how stores wanted to dress the entire family under one roof.
  3. Hats as Everyday Essentials
    • The Lion Hats ad reminds us that hats weren’t optional—they were a key part of a man’s public appearance. A good hat brand could be as important as a good suit.
  4. Illustration‑Driven Marketing
    • Strong drawings of well‑dressed figures were essential for convincing readers that these clothes would make them look modern, confident, and respectable.
  5. The Rise of Ready‑to‑Wear
    • These companies were clearly targeting a growing middle class that was embracing ready‑made garments, rather than depending solely on local tailors and seamstresses.

Explore More 1920s Menswear Ads

If vintage menswear and old advertising art are your thing, this page is just one piece of a much bigger story. Related posts include:

  • “1920s advertisements – mainly mens fashions” – A closer look at illustrated fashion ads from 1924 that seem aimed at retailers rather than everyday shoppers.
  • “1920s mens and boys clothing ads: Knickerbockers, hats, trousers and more!” – A deep dive into what men and boys wore in the Roaring ’20s, including knickerbockers, tailored trousers, adjustable hats, and other details you can spot in the scanned ads.
  • “1924 Girl in a Swimsuit and Skirt Fashions” – A fascinating example of how a photograph of a woman in a swimsuit was used to sell men’s neckwear for Frank & Meyer Neckwear Co., surrounded by illustrations of ties.

Together, these ads and scans help paint a fuller picture of how clothing was marketed and imagined in the early 1920s, especially in a city like St. Louis with its own strong commercial identity.


Want the full 1924 St. Louis Fashion Pageant collection? Download the complete 105-page high-res program.

A woman in a WAC uniform reading a newspaper during WWII.

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