Burlesque has provided men with a variety of entertaining pinups. Notably, Ida Bayton's white violin act in "The Taxi Girls" in 1914, and Lili St. Cyr's bubble bath striptease that helped land her in 3D movies.
Pictures speak louder than words. In these last pages are images of World War I fighter planes in combat, famous air fighters, pictures of recuperating soldiers, descriptions and photos of hospital train cars, and, finally, a timeline of major events in World War I that happened between 1914 and 1917. These last pages also include a copy of Woodrow Wilson's speech, recommending that America declare war on Germany.
Burlesque has provided men with a variety of entertaining pinups. Notably, Ida Bayton's white violin act in "The Taxi Girls" in 1914, and Lili St. Cyr's bubble bath striptease that helped land her in 3D movies.
I love these cute pictures of children and babies, from the 1930s! It looks like they turned one of the infants pictures into a post card, and I've scanned the front and back of it. I'm finished scanning this album... and not sure if I want to scan another Modern Priscilla issue, or the 1922 St. Louis Fashion Pageant magazine... Thoughts?
These fashion illustrations show what women wore in 1913, and what was in style. Apparently, embroideries were the rule, and placed where there was the smallest excuse for them. This illustration shows three fashionable early 1900s women and a little girl. On the right side is an advertisement for a Venus adjustable dress form. The text includes detailed descriptions and how to order the dress patterns to make the fashions the models illustrated are wearing.
These "French Look Bust Wires" were interesting to shoot... not because of the wires themselves, but the instructions for fitting any bra or garment to make a "French Look" of the quintessential cone shaped bust shape of the 1950s. It promises support and uplifting, and the instructions are illustrated with 3 easy steps.
I am so excited to get The Language of Fashion by Mary Brooks Picken (1938 edition) as an early Christmas present! I am even more thrilled by my friend's thoughtfulness. Even more excited that this book's copyright has apparently expired (according to my search on the U.S. government copyright site).... so I can scan the pages!
Here are the rest of the 1800s cabinet cards I digitized for the Carondelet Historical Society. I really like the young lady wearing a hat, as shot by Polensky of Milwaukee Ave., Chicago. That photo, of any, gives me some ideas on historical re-creation. The background is so cool, and could probably be made into a photoshop texture or something!
I imagine this 1940s couple getting this car as a gift, or the husband giving it to his wife before he leaves back to fighting overseas. She looks so proud and you can see them posed together, with him in his military uniform. What cute WWII-era Kodachrome slides!
Wow. What an interesting 1950s perspective on the history of nude photography!
Burlesque has provided men with a variety of entertaining pinups. Notably, Ida Bayton’s white violin act in “The Taxi Girls” in 1914, and Lili St. Cyr’s bubble bath striptease that helped land her in 3D movies.
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In World War I, Mary Pickford became the favorite pinup of soldiers when she dressed in uniform and toured the nation selling Liberty Bonds. In World War II, “demand for it [pictures of Betty Grable”] ran as high as 20,000 per week…”. “Able Grable”‘s legs appear in Army topographic maps designed to teach recruits how to hit their mark.
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Pictures of women in World War I and World War II. How early feminism and wars influenced women’s fashions.
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THIS is a very interesting article about how politics and politicians shaped women’s fashions during the first half of the 20th century. The early feminist movement asked for many changes, among them suffrage, easy divorce, property laws, and equal education. This resulted in a fashion trends that were mannish, including the no-curves, flat chested, flapper girl of the 1920s. This article goes on to call Victoria Claflin Woodhull a “political freak” (who ran for presidency in 1872), and pacifist Jeanette Rankin whose only winning two terms in congress corresponded with declarations of war (1917 and 1941). The caption under Woodhull says that she ran on a free love ticket.
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Women’s changing fashions and shapes thru the 1900s! This first page quotes a skit about womens’ changing fashions from 1903-1953 written by Lois Long of the New Yorker and performed on “The American Road” by Mary Martin. Following that are production stills of Miss Martin performing her skit in various outfits representing the major fashion trends of the first half of the 20th century. Doesn’t it seem like every era declares itsself the one of the “emancipated clear eyed career girl”?
Then… and article about women in television commercials and television advertising (“bringing glamor to household appliances”).
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Here’s a scan from CheeseCake – An American Phenomenon. It’s a spread with Ed Sullivan’s Toastettes and film snaps of Marilyn Monroe’s appearance on the Jack Benny show. “It was wonderful,” said MM, “You know, Mr. Benny at 39 has all the charm and poise of an older man.” When Marilyn Monroe agreed to be on the Jack Benny Show, finally television had come of age and could compete with the movies. Cheesecake Pinups on the new medium of television!
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This next article includes plenty of scantily clad pictures of Lucille Ball and Marie Wilson (as Irma, the dumbest blonde on TV). Irma in the “My Friend Irma” show, especially, is mentioned as stretching television’s strict Code with risque outfits and comedic innuendos. Lucille Ball is mentioned as being the pretty woman with brains and wit behind the top ten rated show “I Love Lucy”.
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Here’s an article about how rubbery faced Imogene Coca and Sid Caesar have “given viewers a steady diet of broad, yet biting, satire and made them like it. Among their targets have been male, as well as female, cheesecake…”
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“The Bust Line May be Best Line in TV”. This article explores how television was currently reshaping the Pinup phenomenon, remarking on Faye Emerson’s low cut gowns in the late 40s, but then turning again away from excess by raising bustlines and hemlines (referencing the Breen office’s revision in 1951, that apparently included a ban against showing intimate apparel on a moving figure). However, these restrictions had the result of making the female form more enticing, “A whisper echoes more than a shout”.
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